Watch the new video from STRANGERS IN THE WORLD now running at Axis Theatre!
So excited to begin working on this new play and the amazing Axis Theatre. What a gift to be able to work with this company again. We open March 13th!!
HIGH NOON now running at Axis Theatre through March 24th.
video credit: Nicholas Guldner at Mad Hatter Media
Great opening weekend for HIGH NOON at Axis Theatre. What a joy to be involved in such a beautiful and dynamic play with such talented and dedicated artists. We run until the last weekend in March, so please try to come. More information at www.axiscompany.orgRead More
Axis Company presents HIGH NOON, an adaptation devised by the ensemble. In this interpretation of HIGH NOON, the Wild West is not the place of heroes and adventure, but a landscape of overbearing nothingness where humans, and their moral conflicts, are cast in glaring light. As the town awaits the alleged return, and savage revenge streak, of a murderer on the noon train, their marshal desperately tries to rally support and save his own life.
Starting rehearsal for an adaptation of HIGH NOON at the Axis Theater in New York City, playing the role of Sam. This is going to be a unique and interesting project, looking at genre of the American Western, stripping away our preconceived notions about them and finding underlying truth. More at axiscompany.org
Congratulations and safe travels to my marvelous cast and crew as they depart on their tour. It was a pleasure directing you guys! Pictured Below: Sean Leyes, Allison Molnaa, Grayson Mills, Sean Divney, and Amanda Leakey
So excited that John Narun was nominated for a Drama Desk Award for his amazing projection design for GOREY. I am so proud to have been given the opportunity to have worked with all the incredibly talented people who made this play come to life. GOOD LUCK JOHN!
Best of luck and safe travels to my terrific LAURA INGALLS WILDER cast as they head out on a national tour.
It was a pleasure directing and getting to know this very talented group of actors!
TIME OUT NEW YORK
The Secret Lives of Edward Gorey
will surely draw you in
By David Cote
The men onstage know each other intimately but maintain a respectful, almost shy distance. They range from college-aged to senior citizenry. Yet as they trade observations on childhood, first loves and the pains of growing old, little gestures of affection emerge: a reassuring pat on the shoulder, a hand resting innocently on a knee during a juicy bit of gossip. They might be chatty relatives or an odd trio of roommates. In fact, they are phases of Edward Gorey (1925–2000), the genius illustrator and writer who produced nearly a hundred books over 47 years. Each was meticulously drawn in his signature style of dense cross-hatching, depicting Edwardian gentlemen and neurasthenic feather boa’ed society ladies, plus the occasional menacing urn, smug cat or creeping creature. If, in this fictional portrayal, the man who created that tremulous, midnight realm keeps his own self at arm’s length, it makes sense. “Why be one person when you can be…hundreds?” Gorey 1 (Andrew Dawson) queries. Like Whitman, the camp-gothic bard contained multitudes—and was perfectly happy to be lost in the crowd.
Travis Russ’s lovingly crafted 75-minute play is less concerned with the nitty-gritty of Gorey’s publishing career or his approach to drawing (lots of grumbling and self-criticism) and more with his breezy evasions and elliptical musings on an eccentric, solitary life. A dandyish student at Harvard (his roommate was poet Frank O’Hara), Gorey moved to New York in the 1950s, working in advertising while shopping his weird, cryptic portfolio to magazines. His black-and-white world of tweedy figures and sere landscapes, often captioned with nonsense verse, eventually gained a cult following—a fandom that increased when his art was used in the credit sequence for PBS’s
Never married and self-admittedly asexual, Gorey spent the last 14 years of his life in a rickety ex–sea-captain’s home on Cap Cod. The play, which costars Phil Gillen as a twentyish, moony Gorey and Aidan Sank as the artist in bearded, relatively confident middle years, takes place in an imaginary version of that house, crammed floor to ceiling with all manner of rusty tools or antique toys that Gorey obsessively accumulated. It’s Grey Gardens with a better work ethic. The mood flits gently from whimsical to melancholy and dryly bemused.
For the proud owner of the anthology
and its sequels,
The Secret Lives of Edward Gorey
is a visit to an old friend who always amuses and sometimes surprises. Newcomers, take care: Gorey’s macabre, intricately detailed universe can addict and overwhelm. The man himself was an object lesson.
Sheen Center (
). Written and directed Travis Russ. With Andrew Dawson, Phil Gillen, Aidan Sank. Running time: 1hr 15mins. No intermission. Through Jan 14. Click
for full ticket and venue information.
The playwright and director Travis Russ has devised a
brilliant solution for dramatizing this contradictory and solitary man: three actors, all of
them excellent and in perfect tune with one another, play the artist simultaneously at three
different ages, delivering a collective autobiographical monologue, sometimes delightedly
affirming each other’s accounts, sometimes gently contradicting them.Read More
What a great opening night with this extraordinary group of people that made this show a reality. I am truly awed by everyone's talent! Bravo.
Here we go....
New York Magazine lists GOREY as on of the top 25 things to do this week in NYC! Previews start today...running through January 14th!